泰戈尔论诗歌  

Tagore’s Theory of Poetry

作　　者：侯传文[1] 

机构地区：[1]青岛大学文学院

出　　处：《外国文学研究》2005年第5期139-145,共7页Foreign Literature Studies

基　　金：国家社科基金项目<话语转型与诗学对话--泰戈尔诗学比较研究>(03BWW005);本文为阶段性成果之一。

摘　　要：在诗歌创作论方面,泰戈尔特别关注诗与诗人的关系,认为诗歌是诗人人格的表现而不是诗人生活的再现,同时强调诗人要用自己的感情体验人类的感情,诗人的心灵应该响应世界的呼唤。在文体论方面,他早期比较重视诗的格律形式,后期对韵律问题有了更深刻的认识,认为韵律不仅是诗歌的一种形式因素,而且是艺术家手中的创造力。在诗的形式方面他更倾向于自由与自然之美,提倡散文诗和自由体诗。Tagore emphasizes the relationship between poetry and the poet. He believes that Poetry is representation of a poet's personality rather than his life. Moreover, he stresses that the poet should understand the feelings of mankind and his heart should respond to the call of the world. In terms of poetic form, Tagore attaches great importance to the versification of poetry in his early years, but in his later period, he has more profound understanding of poetic form. He has come to realize that poetic form is not a matter of form, but an artist's creative power. He prefers the beauty of freedom and nature and advocates prose poetry and free verse.

关 键 词：泰戈尔 诗歌理论 格律 散文诗 诗歌创作论 感情体验 自由体诗 格律形式 形式因素 自然之美 

分 类 号：I351.072[文学—其他各国文学]