静者心多妙,先生艺绝伦——启功先生书画创作心态初探  

Sir Qi-gong's Psyche in Chinese Calligraphy Creation

作　　者：张海明[1] 谷曙光[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《北京师范大学学报（社会科学版）》2005年第5期22-26,共5页Journal of Beijing Normal University(Social Sciences)

摘　　要：启功先生是名重宇内的一代书画大师。以对书画家艺术创作心态的观照为切入点,探讨启功先生的创作心态与书画艺术之间的微妙关系。概括言之,先生在书画创作中是一位安详和豫的“静者”,平和简静,秉有妙心。凝神静虑、无意于佳和意存笔先这三层意思可以大致描述出先生书画创作时的心理状态,而这种虚静的创作心境又对先生的书画艺术进入清逸高妙境界起到相当重要的作用。The present article makes an attempt to look into the delicate relationship between Sir Qi-gong＇s creative psyche and his achievement in Chinese calligraphy. It reveals that Sir Qi-gong has a serene and composed psychology in the creation： peaceful and simple, hence wonderful and excellent. This psychological state could be summarized as three attributes： attentive and quiet, calculation-free, and scheming prior to performance. And such a tranquil mood in creation in turn helps facilitate his artistic proficiency to a refreshing and elegant acme of perfection.

关 键 词：启功 书画 创作心态 虚静 

分 类 号：I06[文学—文学理论]