万物有情观对印度古典美学的影响  

Animist Views and Classical Indian Aesthetics

作　　者：李珉[1] 

机构地区：[1]四川大学南亚研究所,助理研究员邮政编码610064

出　　处：《南亚研究季刊》2005年第2期81-84,110,共5页South Asian Studies Quarterly

摘　　要：万物有情观是在“轮回观”、“万物有生观”、“万物有灵观”的影响下形成的。它决定了印度古典美学中“物感”的自然审美观及表现方法;它对情味论的产生和形成也有重要的影响。For Indian ancient philosophy, animism is regarded to derive from several unique Indian ethos and spiritualities. The traditional preoccupation with the omnipresence of animalism and the Nature determines an intended emphasis on natural sense of aesthetics as well as its ways of expression by defining the very idea of 'perception of the Nature' prevailing in classical Indian vision of aesthetics and supporting the theme of ancient literal works.

关 键 词：万物有情观 自然审美观 情味论 

分 类 号：I299[文学—中国文学]