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作 者:段吉方[1]
出 处:《广西师范大学学报(哲学社会科学版)》2005年第3期47-53,共7页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家社科基金项目<意识形态与审美话语--伊格尔顿文学批评理论研究>(批准号:05CZW003)阶段性成果
摘 要:英国当代美学家特里.伊格尔顿以审美意识形态为核心,在审美话语和意识形态之间的张力存在中确立了他的激进的美学立场和美学批判原则。他的激进的美学锋芒进一步强化了审美话语的现实介入功能和美学批判的现代意义,并对当代美学批判精神的赓续和弘扬具有一定的启发意义。但是,他的激进美学主张也带有很浓厚的影响审美实践的理论主义缺陷,为此,他的激进美学主张也必须面对各种批判声音。British aesthete Terry Eagleton, focusing on aesthetic-ideology, constructed his standpoint and critical principles of radical aesthetics between ideology and aesthetic discourse. His great courage of withholding the radical aesthetic further strengthened the “intervening” function of aesthetic discourse and developed the modern value of aesthetic criticism. His practice produced a notable impact on sequencing and exalting the mettle of contemporary aesthetic criticism. However, his radical principles carried great defects of theoreticism, which influenced his practice, so Eagleton had to face a variety of criticism.
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