宋元明六书理论中的兼书说  

On the View of Concurrent Script in the Six-script Theory in the Song,the Yuan,and the Ming Dynasty

作　　者：党怀兴[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2005年第6期82-87,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目(00CYY007)

摘　　要：六书理论中的兼书问题,是宋元明时期六书学研究中的一个突出问题,也是对后来研究者影响较大的问题之一。对兼书问题的系统阐述当始于宋代郑樵的《六书略》,后代学者赵古则、吴元满、赵光等对此都有所发展。兼书说反映了他们对汉字构成的新认识,触及到了汉字演变中的一些实质问题,是当时学者从六书角度对汉字发展演变、汉字性质等问题的一种把握,对我们今天评价汉字提供了一种新的思路。As one of the prominent issues in the six- script theory, the concurrent script had considerable influence on the later generations of researchers. A systematic discussion on the concurrent script started by Zheng Jiao in the Song Dynasty in his Concise Introduction to the Six Scripts. Later, Zhao Guze, Wu Yuanman, Zhao Huanguang and other writers each added his ideas to Zheng Jiao＇s theory. The view of these scholars presented their new understandings of the composition of Chinese characters and involved some essential issues on the evolution of Chinese characters, manifesting their control of the evolution and character of Chinese characters in terms of the six scripts. This extends a new horizon for us to evaluate Chinese characters in present time.

关 键 词：六书学 兼书说 文字发展 汉字构形 

分 类 号：H122[语言文字—汉语]