从审美取向看厨川白村文艺观的价值认同  

An Aesthetic Orientation View of the Identity of Value of Hakuson Kuriyagawa's Theory on Literature and Art

作　　者：王铁钧[1] 

机构地区：[1]华侨大学外国语学院,福建泉州362011

出　　处：《山西大学学报（哲学社会科学版）》2005年第5期111-114,共4页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国务院侨办科研基金项目成果之一(040SK09)

摘　　要：厨川白村的文艺观在中国颇受推崇但在日本却遭致冷落,反差如此之大乃文化语境相异的文学的不同审美取向所致。厨川白村的文艺观既悖逆日本文学传统,也背离大正文坛趋同的审美取向,从而注定它在日本不可能获得响应和引起共鸣。Hakuson Kuriyagawa＇ s viewpoints on literature and art are rather highly praised in China, but treated coldly in Japan. This contrary phenomina of value resulted from different aesthetic orientations in different cultural contexts. Hakuson Kuriyagawa＇s viewpoints on literature and art rebel against not only the aesthetic orien- tation of tradition of Japanese literature, but also that of convergence of the literary circles during Taisho period, thus being bound to be unable to gain warm response and arouse strong feeling of sympathy in Japan.

关 键 词：审美取向 价值认同 厨川白村 

分 类 号：B313.09[哲学宗教—外国哲学]