谈魏晋玄学“悲为美”之缘起  

On The Origin of"Woe as beauty" in the Metaphysics of Wei and Jin Dynasties

作　　者：于保泉[1] 魏克芹[1] 

机构地区：[1]东营职业学院,山东东营257091

出　　处：《山东电大学报》2005年第3期42-43,共2页Journal of Shandong TV University

摘　　要：本文着重探讨了魏晋玄学“悲为美”的缘起:“悲”从音乐进入文论,有着漫长的发展历程。作为贯通审美体验的“悲”、“美”,寓有魏晋士人对生命本体的探询,彰显着他们对理想人格的追寻。This thesis probes into the origin of ＂woe as beauty ＂ in the metaphysics of Wei and Jin Dyansties： ＂woe＂has proceeded along the way from music into literary criticism. The concepts＂ woe＂ and＂ beauty＂ linking aesthetic experiences embody Wei and Jin personages＇ tapping on life in itself and mirror their pursuit for ideal personality.

关 键 词：魏晋玄学 悲为美 个体性 抒情性 

分 类 号：I207[文学—中国文学]