走近“魔术剧”与“玻璃球游戏”——1949—2003年中国黑塞研究述评  

The Approach to Magic Drama and Glass Bead Game——A Commentary on the Study of H.Hesse since the Liberation (1949—2003)

作　　者：顾梅珑[1] 张弘[1] 

机构地区：[1]华东师范大学中文系,上海200433

出　　处：《杭州师范学院学报（社会科学版）》2005年第6期99-103,共5页Journal of Hangzhou Teachers College(Humanities and Social Sciences)

基　　金：国家社会科学基金项目"黑塞与东西方文化的整合"的阶段成果之一

摘　　要：评述了建国以来国内对著名德语作家赫尔曼.黑塞的研究状况,根据实际情况把重点放在20世纪80年代以后。在概述这一阶段的翻译出版和“黑塞研究热”的大致走向后,侧重分析和评估了黑塞研究中的几个聚焦之点,包括个性自由和“自我之路”、精神世界的丰富性和探索道路、创作主题、人物形象塑造及文本艺术风格。在此基础上,提出了当前黑塞研究中存在的问题,展望了未来发展的前景。The paper comments on the study of Hermann Hesse, a famous German writer, in China since the Liberation, focusing on the facts after the 1980s. It offers a sketch of the translations, publications and researches of that period, and then analyses and evaluates some main points in the studies of Hermann Hesse, which cover free-individuality, “Self＇s way”, multiplicity of mind and its quest, creative subject, figure character and aesthetic mode in his works. Furthermore the paper discusses the problems in the present research and its future as well.

关 键 词：热潮 20世纪80年代 黑塞研究 问题 前景 

分 类 号：I0-03[文学—文学理论]