《周易》“贲”卦的美学思想解读  

An Interpretation on the Aesthetic Significance of the Hexagram Bi in Zhouyi

作　　者：杨家友[1] 

机构地区：[1]武汉大学哲学学院,湖北武汉430072

出　　处：《湖北经济学院学报》2006年第1期109-113,共5页Journal of Hubei University of Economics

摘　　要：《周易》贲卦中蕴涵着丰富的美学思想。首先,事物经过文饰可以更美;其次,文饰需要有一个限度,朴素与自然应该是文饰的最高境界;最后,贲卦卦爻的层层推进,也显示了美由淡而浓而淡、由质而文而质的变化过程,这就为美的历程指明了方向。美的历程基本上沿着贲卦指引的方向前进,虽然几经曲折,但最终还是得以实现并走向深入,这是贲卦对美学的最大贡献。There contains a lot of aesthetics thoughts in the hexagram Bi in Zhouyi. Firstly, things will become more beautiful by some kind of adorning; Secondly, any adorning has its limits, whereas by being simple and natural it could achieve the highest state; Finally, the step-by-step evolvement of the remarks affiliated to the hexagram and lines of Bi shows the changing course in which beauty gradually gets more and more simple and pristine, acquiring more and more substantial meaning. The author believes that, from an aesthetic point of view, what one could learn from the Hexagram Bi is a basically road that general beauty could take place and develop. It is the greatest contribution to Aesthetics from the hexagram Bi in Zhouyi.

关 键 词：《周易》 贲卦 文饰 

分 类 号：B221[哲学宗教—中国哲学] B83-0