“文化审美现代性”:闻一多诗学个案分析  

Modernity of Aesthetics from Cultural Perspective: A case Study on Wen Yiduo Poetics

作　　者：万莲姣[1] 贺玉庆[2] 

机构地区：[1]暨南大学文学院,广东广州510632 [2]怀化学院中文系,湖南怀化418008

出　　处：《中国文学研究》2006年第2期19-22,共4页Research of Chinese Literature

摘　　要：闻一多诗学探索路途中的种种变调表象说明,站在中西文化地平线上的闻一多其实一直在践履着这样一个自然原道:“风震于上而波动于下者也”——遵命20世纪中国文学发展的“文化审美现代性”脉动。这是他根据中西文化异质性的前提,实施的一种中国国情化了的诗性人生智慧策略。如果说闻一多兼具现代诗人、学者和民主斗士三重人格,那么闻一多诗学则是审美的、文化的和现代性的“有机复合体”,以此观闻一多的诗性人生变调,传奇便不足为怪。Constant changes over the research on Wen Yiduo poetics reveal his double perspectives from both Chinese and western worlds, and his attachment to the source of way： ＂Wind vibrates above and undulates below＂. Wen Yiduo always touches the chord of the development of the 20th Chinese literature characterized by ＂modernity of cultural aesthetics＂. It is an expression of his poetic life~ wisdom evolved from his understanding of the different nature between Chinese and western cultures. Wen Yiduo, a modern poet, a scholar and a democratic fighter, develops his triple personality; and his poetics is the ＂ organic compound＂ of aesthetics, culture and modernity. This can somewhat illustrate the changing notes during his poetic and legendary life.

关 键 词：“文化审美现代性” 闻一多 诗学 20世纪 中国 文学评论 审美需求 

分 类 号：I207.22[文学—中国文学]