论道教美学思想对明清俗文化的影响  

On Daoism Esthetics Reflected in the Literature in Ming and Qing Dynasty

作　　者：李珉[1] 

机构地区：[1]四川大学南亚研究所,四川成都610064

出　　处：《四川大学学报（哲学社会科学版）》2006年第3期40-44,共5页Journal of Sichuan University：Philosophy and Social Science Edition

摘　　要：明清时期,道教的审美思想在民间文化中得到较充分的表现。明清时的很多文学作品中,道教的审美趣味与世俗人情融合在一起,折射出明清文人的审美趣味,同时,对“至善”为“至美”的审美形象的描写及推崇;将“痴”人形象作为真实无伪、纯真不俗的象征,反映了道教美学思想对明清文学艺术的影响。This article talks about the Daoism esthetics portrayed in the literature in Ming and Qing Dynasties. The idea of ＂ extreme kindness＂ being ＂ extreme beauty＂ has been expressed in the literary works of Ming and Qing Dynasties. Tho, the literature trend and works in Ming and Qing Dynasty describedand canonize the＂ infatuated＂ and ＂ fooIish＂ figures. In their description, the ＂ infatuation foolishness＂ isthe symboI of truth and purity, which renected that the idea of ＂ pIainness and purity is the beauty＂ inDaoism esthetics has influenced the art of literature a Iot at that time.

关 键 词：道教美学思想 明清文学 民间文化 文学作品 

分 类 号：B958[哲学宗教—宗教学]