李东阳复古文学思想探析  

Research on LI Dongyang's Fugu Literature Thought

作　　者：薛泉[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《武汉大学学报（人文科学版）》2006年第3期310-315,共6页Wuhan University Journal (Humanity Sciences)

摘　　要：在明代复古文化背景下,李东阳的文学思想蕴含着诸多复古因子。其复古文学思想具有丰富的内涵与鲜明的特性:兼师众人之长,自铸一己风格;注重诗音乐美,恢复言情本质;以复古为通变,探索文体革新。这在一定程度上折射出了明代中期文风转向的趋势,对“七子”的崛起及明清文学理论都产生了重要的影响,尽管其还存在某些不足与缺陷。Under the cultural background of Fugu in Ming Dynasty, Fugu factors flooded LI dongyang＇s literature thought, which presents lots of outstanding characteristics. LI dongyang absorbed other people＇s advantage and formed his own style, expressing the genuine feeling and investigating the development of literature with the way of Fugu. These reflected the trend of literary style on the degree in the Ming Dynasty literature thought. Middle theories. Ming Dynasty, and Certainly, there produced the important influence to Qizi and to is some weakness in LI dongyang＇ s literature

关 键 词：李东阳 复古 铸格 言情 通变 

分 类 号：I206.2[文学—中国文学]