西方表现主义美学观对中国朦胧诗潮的影响  

Influence of West Expressionist Aesthetics on Chinese Gloomy Poems

作　　者：吴晓川[1] 

机构地区：[1]西华师范大学文学院,四川南充637000

出　　处：《绵阳师范学院学报》2006年第3期51-53,共3页Journal of Mianyang Teachers＇ College

摘　　要：表现主义美学是二十世纪西方现代主义文学艺术中重要的理论之一,其非理性的生命直觉、内在激情以及抽象的哲理思考,构成了创作表达的朦胧、虚幻和神秘。“文革”十年浩劫后出现的朦胧诗潮,从创作观念到表现形态上,都呈现出了与表现主义美学相似的特征。在八十年代现代主义大举回归中国诗坛的背景下,梳理朦胧诗潮的发展轨迹,就可以看出表现主义美学观对朦胧诗潮的形成产生过明显的影响。Expressionist aesthetics is one of the most important theories on West modernist literature and art in the twentieth century. The instinct of life, interior passion and philosophic thinking accounts for gloom, illusion and mystery in composition. The tide of gloomy poems after the Cultural Revolution takes on resemblance to expressionist aesthetics both in composing idea and expressing form. Against the background of the returning of modernism to the Chinese poem circle in the eighties, judging by the development of gloomy poems, we will find out the obvious influence of expressionist aesthetics on the tide of gloomy poems.

关 键 词：表现主义美学 朦胧诗潮 直觉 哲理思辨 

分 类 号：I01[文学—文学理论]