郭沫若抗战史剧奉献的救国策略  

The Patriotic Strategy Reflected in Guo Moruo's Historical Anti-war Drama

作　　者：陈鉴昌[1] 

机构地区：[1]西华大学人文学院,四川成都610039

出　　处：《西华大学学报（哲学社会科学版）》2006年第5期30-33,共4页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：既遵循艺术创造的规律,又强烈地干预现实,这是戏剧文学的神圣使命。郭沫若的抗战史剧,便具有这种优秀品格。它利用历史与现实的相似点,营构戏剧冲突,成功地表现了抗战时期中国人民的三大政治任务,即外反侵略争国权,内反专制争民主,坚持抗争反投降。由此,郭剧称得上“艺术的抗日救国策略”。It is the holy mission for dramas to follow the principle of art creation and strongly affect the reality. Guo Moruo＇s historical anti-war dramas have greatly displayed this essence. Based on the resemblance of history and reality, Guo Moruo deliberately designs plots the conflicts which successfully show the three political tasks of Chinese people in the anti-war period： combat with the foreign power for the sovereignty, struggle consistently for the democracy and never surrender. For these, Guo＇s drama can be regarded as the artistic way to support the anti-war movement.

关 键 词：郭沫若 抗战史剧 内容 救国策略 

分 类 号：I207.4[文学—中国文学]