走向融合与开放:艾青诗歌意象艺术的探索  

Merging And Opening:Research On The Art Of Image Of Ai Qing's Poems

作　　者：王泽龙[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《华中师范大学学报（人文社会科学版）》2007年第1期102-107,共6页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金项目"中国现代诗歌意象论"(05BZW049)

摘　　要：艾青1930年代的诗歌意象实现了“五四”以来中国现代诗歌意象艺术的多方融合与创造性的发展。具体呈现为:一是诗歌意象的时代精神体现与艺术美追求的融合,这种融合突出体现在“土地”与“太阳”两个具有特定民族文化意识与时代精神内蕴的意象中心创造上。这两个母题意象,使艾青的诗歌既具有了理性的深度内涵,又具有了审美感性的生动品格。二是在意象艺术的表现上,找到了一条现实主义、浪漫主义与象征主义有机融合的开放性道路。The image of Ai Qing＇s poems during 1930s have achieved the merging and creative development of modern Chinese poetry image art after the May 4^th movement. It is expressed by：first, concretely The merging of Zeitgeist in the image and the seeking for artistic esthetics, this merging have been embodyed in two image centre creations ＂the land＂and ＂the sun＂ which contain special national culture consciousness and Zeitgeist. These two motive image, have already fully filled Ai QingCs poems both rational deep connotation and vivid appreciation of perceptual esthetics; second, on the expressing of image art, he have found an open way which well merged realism, romanticism and symbolism.

关 键 词：艾青诗歌 土地意象 太阳意象 现实主义 浪漫主义 象征主义 

分 类 号：I207.25[文学—中国文学]