论中国古代文艺美学的民族传统  

On the National Tradition of the Ancient Chinese Aesthetics of Literary Criticism

作　　者：张少康[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《深圳大学学报（人文社会科学版）》2007年第1期112-120,共9页Journal of Shenzhen University：Humanities & Social Sciences

摘　　要：中国古代文艺美学具有非常显著的民族传统,它们主要表现为:文艺和实用、功利的结合和发愤着书的精神;“无声之乐”的创作理想和审美境界;“形神兼备”的形象塑造原则;“无法之法”的艺术表现方法;“味外之味”的艺术鉴赏的标准。The ancient Chinese aesthetics of literary criticism boasts a very striking national tradition, which is represented by the combination of literature and art with practicability and utility, the spirit of being assiduous in book writing, the ideal of creating ＂voiceless music＂ and its aesthetic acme of perfection, the principle of image shaping featured with ＂both the form and spirit being displayed＂, the methods of artistic expression relishing of ＂method-free methods＂ and the standards of artistic appreciation blessed with a ＂lingering flavor＂.

关 键 词：发愤著书 无声之乐 形神兼备 无法之法 味外之味 

分 类 号：I01[文学—文学理论]