空寂与闲寂——也论日本中世的审美意识  

Empty Silence and Leisurely Quietness:Towards the Consciousness of the Japanese Aesthetics in the Middle Ages

作　　者：马德邻[1] 

机构地区：[1]上海师范大学 法政学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2007年第2期9-15,共7页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：“幽玄”、“空寂”和“闲寂”是日本中世审美意识的主流,其审美的感性向度充分体现了日本民族独特的审美传统,并影响着日本近现代艺术的世俗化进程。文章着重探讨三个问题:1．“空寂”和“闲寂”的感性特征;2．“幽玄”、“空寂”美的自然和宗教因素;3．“闲寂”美的感性向度及其对日本文化、艺术的影响。Profound mysticism, empty silence and leisurely quietness constituted the mainstream of the consciousness of Japanese aesthetics in the Middle Ages. The perceptual direction in their aesthetics fully reflects the unique tradition of the Japanese nation in aesthetics and influences the secularization process in the arts of the modern and contemporary Japan. This paper mainly discusses three issues： （a） perceptual features of empty silence and leisurely quietness; （b） natural and religious elements of beauty in profound mysticism and empty silence; （c） perceptual direction in beauty of leisurely quietness and its influence upon culture and arts in Japan.

关 键 词：空寂 闲寂 感性 审关 

分 类 号：B83-02[哲学宗教—美学]