中国“写人学”构建的理路  

The Reasonable Ways to Construct the Chinese-Styled Characterization

作　　者：李桂奎[1] 

机构地区：[1]上海财经大学人文学院,上海200433

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2007年第2期56-61,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

摘　　要：在当前学术背景和学术条件下,中国写人学的构建应当遵从下列基本理路:首先,应当以关注内部研究的“叙事学”为镜鉴体,在重新研读并挖掘中国古代经典文本写人精髓的基础上,着力解答好“如何写”等一系列揭示文学创作内在规律的问题;其次,中国“写人学”的建构应当运用文化意义上的“大修辞学”方法论,特别是积极应用戏剧主义批评的角色理论、女性主义批评以及后现代修辞批评的符号学、精神分析等理论方法,来冲撞传统写人研究的条框;再次,在话语源上,中国“写人学”既要立足于传统画论的“形神相对论”等话语体系,又着力推出“绘态”、“传情”、“构图”等其他画论范畴,并注意对这些写人论话语进行现代阐释,从而保障其本土化和重新性。In the current background and condition of the academics, we should take the following basic reasonable ways to construct the Chinese-Styled Characterization. First, we should use the narratology, which focuses on the internal research for reference, and make efforts to answer a series of problems which announce the inherent law of the literature construction such as how to write on the basis of restudying and digging the essence of describing characters in the classic ancient Chinese texts. Second, to collide with the traditional research framework of characterization, we should make use of the generalized rhetoric methodology in the cultural sense, especially apply the role theory to the drama criticism, feminist criticism, and the post-modern rhetoric theories such as semiotics, psychoanalysis. Finally, to guarantee this subject＇s localization and independence, in the aspect of words source, we should foot on the words system in the traditional painting theory such as ＂the rela- tivity of the spirit and shape＂, as well as put forward other categories in the painting theory such as ＂state-drawing＂, ＂feeling conveying＂, and ＂composition of the picture＂. Moreover, we should pay attention to making a modem interpretation of these words on ways of the Chinese-Styled Characterization.

关 键 词：构建 叙事学 写人学 写法 大修辞学 画论话语 现代阐释 

分 类 号：I0-03[文学—文学理论]