理论趣尚、创作实践与政治语境——再评曹丕及其《典论、论文》  

Theory Orientation,Literary Practice and Political Situation——Reappraisal of Cao Pi and his Classical Treatises :On Literary Writing

作　　者：陈松青[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《阜阳师范学院学报（社会科学版）》2007年第1期17-21,共5页Journal of Fuyang Normal University：Social Science Edition

基　　金：湖南省教育厅高校2005年度科研项目<汉代诗学;骚学与文学之综合研究>(05437)果之一。

摘　　要：在中国文学史上,通常有这样一种现象——作家的文学主张与他的创作实践不完全一致,甚至相反。曹丕就是一个比较典型的例子。曹丕的《典论.论文》虽然提出了许多富有新意的见解,但仍属于传统的儒家政教文学观。可以这样说,他在理论上推崇汉音与儒学道统,在创作上却能突破其矩,表现出魏响的特色来。《论文》是作为拥有政治话语权的曹丕消弭人际矛盾、表达政治诉求与人生期望的产物。In the history of Chinese literature, usually have this phenomenon ----It is not totally unanirnous in practice with his creation view that the writer advocated, ever. opposite. Cao Pi is a such example. Though ＂Classical Treatise; On Literary Writing ＇ has put forward the opinions of a lot of new meanings , it still belongs to the traditional Confucian Viewpoint of Political and Moral Literary, Can say he praise highly Style of literature of Hat. dynasty and Confucian orthodoxy in theory, but can break through hit. ule in ercating, and demeastrate the style of literature of We dynasty, ＂Classical Treatises ;On Literazy Writing＂ by Cao PI who had political right would dispel the interpersonal contradictian, and express the politics demands and expectation of life.

关 键 词：《典论·论文》 儒家政教文学观 汉音 魏响 政治语境 

分 类 号：I206.2[文学—中国文学]