心物相遇:审美感性的灿烂呈现  

Meeting of Spirit and Matter: Splendid Appearance of Aesthetic Perception

作　　者：谭容培[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2007年第2期5-9,共5页Research of Chinese Literature

基　　金：湖南省社会科学基金重点项目(04ZD04)

摘　　要：感性是审美对象建构过程中主客体的相互作用的中介,是心物交融的结果。所谓形式感性,是对自然感性现象异在力量的克服和秩序化。象征感性则是对感性事物与非感性事物在机缘巧合中的吻合,及对感性存在的意义和人性意义的澄明。要使感性存在回归到世界的整体性存在,只有依靠心灵对物性的超越所开启的无限的自由视野,也只有这种视野才能彰显审美感性的灿烂呈现。Perception is the medium of the interaction of the subject and object in the process of the construction of the aesthetic object. It is also the outcome of the blending of spirit and matter. Formation perception denotes the overcoming and orderizing to the dissimilatory power of natural perception. Meanwhile, symbolic perception means the coincidence of the pereeptual and the non -pereeptual~ and the display of the meaning of the perceptual existence and human nature. To make the perceptual existence return to the entire existence of the world depends on the unlimited free view, which is initiated by the suroassing of soirit to matter. And only does the view disolay the splendid appearance of aesthetic perception.

关 键 词：感性 建构 形式 象征 

分 类 号：I01[文学—文学理论]