论新中国剧社的职业化经营——兼谈话剧的职业化  

On professionalism to the management of the New-China Troupe——give attention to the professionalism of China spoken drama

作　　者：阮南燕[1] 

机构地区：[1]南京大学中文系,江苏南京210093

出　　处：《淮南师范学院学报》2007年第1期59-63,共5页Journal of Huainan Normal University

摘　　要：戏剧生产是文化经济产业的一个重要组成部分。只有从经营的角度关注戏剧的各个环节,把戏剧的文化资源优势转化为艺术生产力,才能抓住文化经济时代的有利时机。新中国剧社是20世纪40年代职业化运作较为良好的职业剧团,运行中始终秉承以民间职业剧团为载体从事进步戏剧事业的经营理念,审时度势地采取了行之有效的经营决策和经营措施,取得了许多值得今日剧团借鉴的职业化经验。The manufacture of dramatic art is an important component of cultural economic industry. Only with economy can we pay close attention to each link that may change the preponderant cultural resources of drama into article productivity, and grasp the opportune time of the age of cultural economy. The New-China Troupe is an outstanding professional Troup in 1940s that always undertakes enlightened drama cause with the idea of a status of folk troupe and considerately make effective strategic decision and measure.

关 键 词：新中国剧社 职业化 戏剧经营 文化经济 

分 类 号：I207.34[文学—中国文学]