苏轼的书法美学思想及其当代意义  

Su Shi's Calligraphic Aesthetic Though and Its Contemporary Significance

作　　者：黄鸿琼[1] 

机构地区：[1]泉州师范学院人文学院,福建泉州362000

出　　处：《泉州师范学院学报》2007年第1期108-110,114,共4页Journal of Quanzhou Normal University

摘　　要：苏轼书法审美追求“适意”与“无法之法”,追求创新,并把深层“意”推向高峰,强调了书法的文化本位。苏轼批判地继承了前人业绩并超越前人的窠臼,是宋尚“意”的重要代表人物之一。而苏轼所追求的书法审美“适意”、对深层“意”的强调,正是当代书坛所欠缺的。当代书坛应在“法”和深层“意”上更上一层楼。Seeking ＂artistic conception （Yi）＂, seeking ＂rule without model＂ and seeking innovation were Su Shi＇s Calligraphic aesthetics. He pushed the deep ＂Yi＂ to the peak and emphasized calligraphic cultural selfishness. Su inherited critically predecessors＇ achievements and surmounted predecessors shackles. Su was an important representative upholding the ＂Yi＂ in the Song Dynasty. The ＂artistic conception＂ sought by Su Shi＇s calligraphic aesthetics and the deep ＂Yi＂ are just the shortage of contemporary calligraphic circle. Contemporary calligraphic circle must take on a higher level in the ＂rule＂ and the deep ＂Yi＂.

关 键 词：“适意” “意” “无法之法” 张扬个性 

分 类 号：J292.25[艺术—美术]