理学家的书法观——论朱熹在书法理论与实践上的贡献  

View on Calligraphy of Neo-Confucian——On Zhu Xi's Contribution to Calligraphy Theory and Practice

作　　者：胡长春[1] 

机构地区：[1]安徽大学古籍整理办公室,合肥230039

出　　处：《合肥学院学报（社会科学版）》2007年第5期30-34,共5页Journal of Hefei University:Social Sciences

摘　　要：朱熹主要精力用在阐发圣贤之学上,他著述宏富、弟子众多,平生讲道之功目不暇接。然朱熹自幼喜好书法,凭借渊博的学识修养和一生孜孜不倦地探索,朱熹成功地构建了其理学家的书法理论。朱熹对书法的认识闪烁着真知灼见,对后世的书法思想产生深远的影响;朱熹的书法声名远播,"虽片缣寸楮人争珍秘,不啻??圭璧"。其书"意致苍郁、沉深古雅",为南宋著名的书法"四大家"之一。As a great and influential master in Neo-Confucianism, Zhu Xi devoted himself to interpreting and developing Confucian studies, and had many works and students with successive lectures. However, being addicted to calligraphy since his childhood, Zhu Xi succeeded in establishing his NeoConfucian theory on calligraphy owing to his profound erudition and indefatigable exploration. As one of the four great calligraphists in Song dynasty, Zhu Xi achieved high perspicacity in calligraphy which casts a profound influence on later generations, and gained far-flung fame, as ＂people swarmed to seek even only pieces of his scripts and kept them as precious jade＂.

关 键 词：朱熹 书法艺术 书法理论 理学 

分 类 号：B244.7[哲学宗教—中国哲学] J292.1[艺术—美术]