王国维“眩惑”说的审美解读  

Comprehension Aesthetic of WANG Guo-wei's "Xuan Huo"

作　　者：蒋继华[1] 

机构地区：[1]盐城工学院人文学院,江苏盐城224003

出　　处：《阴山学刊》2007年第4期9-12,38,共5页Yinshan Academic Journal

基　　金：江苏省教育厅高校哲学社会科学基金项目"中国古代世俗审美范畴研究"(07SJD750012)成果之一

摘　　要：受哲学家叔本华的影响,王国维从审美无利害关系出发,提出"眩惑"范畴。在王国维看来,"眩惑"刺激人的欲望,使人"复归于生活之欲",违背艺术的精神与宗旨,不能使人超越功利、进达纯粹知识。对待艺术中的"眩惑"成分,要因文而异,具体看待,不可以偏概全。要从中国传统美学的雅俗之辨中,发掘其蕴藏的深层意蕴和非凡之美。在艺术和美浸淫着世俗气息的当下,更应从人的生命价值、存在意义等出发,认识到"眩惑"在满足人性发展方面的肯定性价值及带来的负面影响。By the philosopher SHU Ben- hua, WANG Guo- wei from the aesthetic disinterestedness starting, proposed the ＂Xuan Huo＂ category. In WANG Guo- wei, ＂Xuan Huo＂ stimulated the desire, it make people ＂revert to the life of desire,＂ but violate the spirit and purpose of art, and couldn＇t beyond the utilitarian and achieved pure knowledge. Treatment of Art ＂Huan Huo＂ ingredients , we should treat specific not generalized. From the traditional Chinese aesthetics of elegance and vulgarity of Differentiating, We explore its potential implication in the deep and extraordinary aesthetic. The artistic and beautiful disseminated to the current secular atmosphere, we set out from people＇s life value and meaning present, etc. and recognize that ＂Huan Huo＂ in meeting human development certainty of value and the negative impact.

关 键 词：王国维 “眩惑” 欲望 意蕴 

分 类 号：B83-0[哲学宗教—美学]