新时期文学社会价值论体系的调整与改新  

Adjustment and improvement of social value system of literary theory in the new period

作　　者：周兰桂[1] 

机构地区：[1]湖南人文科技学院中文系,湖南娄底417000

出　　处：《武汉科技大学学报（社会科学版）》2007年第5期522-529,共8页Journal of Wuhan University of Science and Technology:Social Science Edition

基　　金：湖南省教育厅2005年高等院校科学研究立项项目(项目编号:05C766)

摘　　要：文学的"价值论"研究,始终是20世纪中国文学理论的主要特征。新时期以来,传统文艺学体系中的庸俗社会学与机械认识论,已经无法满足社会"需求多样化、价值多元化"的强烈要求,无法解决文艺生产过程中的新矛盾、新问题,无法回应文艺学术研究中的新理论、新发现。回归经典马列文论,新时期文学社会价值论体系进行了自上而下的调整:"审美的"意识形态,"能动的"反映论和"人性、人民性"关怀;同时在多种社会合力作用下,开始了自下而上的改新:"审美自由、主体性的回归与肯定","‘人性’、‘人文精神’的认同与高扬","‘马列文论’由封闭走向开放、由独断走向融和"。Considerable attention to literary values characterizes Chinese literary theory in the twentieth century. In the new period, the philistine sociology and the rigid theory of knowledge no longer meet the strong requirements of diversified social needs and pluralistic values. They cannot solve the new problems that arise in the process of literary production and respond to the new theories and discoveries in literary research. Returning to the classical Marxism-Leninism literary theory, the system of lit- erary social value has witnessed adjustment from top to bottom in the new period, resulting in socalled ＂aesthetic＂ ideology, ＂active＂ theory of reflection and ＂humanistic＂ care. At the same time, it has seen total improvement： approval of aesthetic freedom, return and confirmation of subjectness, appreciation and celebration of humanity and humanism, and the opening and evolution of Marxism- Leninism literary theory.

关 键 词：新时期文学理论 社会价值 观念体系 调整 改新 

分 类 号：I0[文学—文学理论] I206.7