嵇康、阮籍的人生理想及其美学意蕴  

On life ideal and it’s Aesthetic meaning of Jikang and Ruanji

作　　者：李昌舒[1] 

机构地区：[1]南京大学中文系,江苏南京210093

出　　处：《现代哲学》2007年第5期70-77,共8页Modern Philosophy

基　　金：国家社科基金项目<意境的哲学基础--从王弼到慧能的美学考察>(编号05CZX024)阶段性成果

摘　　要：身处魏晋更替之际,嵇康、阮籍表现出诸多相同点,最突出的一点是对个人精神自由的强烈追求。理论上,他们推崇"心"、"神",强调超越名教束缚,任运自然本性,落实到诗文作品中,他们反复描写的是一种超尘越俗的自由之境。这对于中国美学在中晚唐之后的发展具有深远影响,自由之境可以说是此后中国美学的基本追求。Between wei and jin, Jikang and Ruanji have many common grounds, the outstanding of which is the pursuit of the individual spiritual freedom. Theoretically, they attach importance to ＂xin＂ and ＂shen＂. Literarily, they delineate the space of freedom again and again, which have a profound influence on Aesthetics behind zhongwangtang. This space could be thought as the basic pursuit of Chinese Aesthetics.

关 键 词：自然 自由 境界 

分 类 号：B235[哲学宗教—中国哲学]