“象言”与“道”韵——儒道两家诗性语言学思想及其现代意义  

The Language of Image and the Charm of Tao——Confucianism and Tao,s Poetic Concept of Chinese and Its Modern Value

作　　者：范爱贤[1] 栾贻信[1] 

机构地区：[1]山东理工大学文学与新闻传播学院,山东淄博255049

出　　处：《管子学刊》2007年第3期59-64,共6页GuanZi Journal

摘　　要：本文从语言哲学的角度研究儒道两家汉语言学思想的诗性特征及其对汉语言学发展的重要影响。认为不论道家还是儒家都强调汉语言以"象"为传意中介,"呈象"、"构象"是汉语言话语表达的核心机制,这充分显现了汉语的诗性特征。而汉字的象形又大都根植于自然的物象,就是这种人与自然的诗性关联既强化了"象"的隐喻述谓功能,同时也深化了汉语言的意蕴,使汉语言不仅仅是思想传达和交流的工具,同时也是艺术。The paper studies the poetic characteristic of Chinese language of Confucianism and Taoism from the perspective of language philosophy, and its important influence upon Chinese language. Confucianism or Taoism all emphasize that Chinese takes image as the medium of conveying meaning. So presenting image and making image are the key mechanism of expressing in Chinese, which has fully demonstrated the poetic feature of Chinese language. The image of Chinese character comes from the natural image. This poetic relation between man and nature not only strengthens the metaphor function of the image, also deepens Chinese charm. So Chinese is not only a tool to express and communicate, but a kind of art.

关 键 词：儒道 汉语诗性 象 

分 类 号：H109.2[语言文字—汉语]