泰戈尔论诗的接受  

Tagore's Theory of the Reception of Poetry

作　　者：侯传文[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《外国文学》2007年第6期79-84,共6页Foreign Literature

基　　金：国家社科基金项目"话语转型与诗学对话--泰戈尔诗学比较研究"(03BWW005)

摘　　要：在诗的接受和鉴赏方面,泰戈尔非常重视读者的主体地位,强调接受主体的领悟性、主体感受的整体性以及阐释批评的创造性,但他并不否定作者创作意图和文本意义的存在,而且将作者、文本与读者之间的和谐统一作为文学审美的理想状态。这样的接受理论与西方20世纪现象学诗学既有相通之处,又有深刻的差异。Regarding the reception and appreciation of poetry, Tagore pays much attention to the reader's subjective position. He emphasizes the understanding of the receiving subject, the entirety of the subject's feeling and the creativeness of elucidation and criticism. Though he does not deny the existence of the poet's intension and text's meaning, he looks to harmony among the poet, the text and the reader as the ideal state. Such theory of reception has both connection with and profound difference from the phenomenologist poetics in the 20st century western world.

关 键 词：泰戈尔 诗学 读者接受 主体性 

分 类 号：I0[文学—文学理论]