直观和现象——贾科梅蒂的视觉概观  

Intuition and Phenomenon——on Giacometti's Vision

作　　者：李婷[1] 

机构地区：[1]徐州师范大学 信息传播学院,江苏徐州221009

出　　处：《同济大学学报（社会科学版）》2007年第6期53-57,共5页Journal of Tongji University:Social Science Edition

摘　　要：在一定的距离上观看,在一个具体的情境之中观看,贾科梅蒂坚持真实的视觉,复制下实际的观看,成为他的艺术追求。正是在这一点上,贾科梅蒂归属于西方艺术史中单纯直观的视觉路线,并且,和同时代现象学家的某些看法有了相通之处,由此,也构成了贾科梅蒂在视觉史上的突破。这种揭显,在当代视像形态中仍然有其不可替代的肉身性生存意义。Looking at a distance is to see in a concrete situation, this is Giacometti＇s vision of art and he believed in real vision. To copy what he saw is the goal of art, thus Giacometti engaged in the pure intuition of the western art history. At the same time, Giacometti had the same standpoints as the Phenomenology, that＇s Giacometti＇s breakthrough in the vision history. Such disclosure of ＂Being＂, also has the exclusive meaning of the body-existence from the perspective of the contemporary image.

关 键 词：贾科梅蒂 直观 现象 

分 类 号：J0[艺术—艺术理论]