先秦儒家礼乐文化对文艺制度的建构  

On the Confucian Culture of Class Difference and Class Harmony in the Pre-Qin Dynasty and its Contribution to the Construction of Literature and Art System

作　　者：张利群[1] 

机构地区：[1]广西师范大学中文系,广西南宁541004

出　　处：《湘南学院学报》2007年第6期38-44,共7页Journal of Xiangnan University

摘　　要：以孔子为代表的先秦儒家针对"礼崩乐坏"的乱世提出复礼正乐的主张,继承和发展周代的礼乐制度,以"正名"来拨乱返正,正本清源;以"和谐"来突出文艺的特征;以"诗教"来实施文艺的社会教化功能,从而建立起对文艺性质、特征、价值、功用的保障和规范的思想体系,对文艺制度、体制、机制的建构和建设发挥了重要作用。但其制度化的文艺主张也在一定程度上制约了文艺的自主性、自由性、自立性的发展。Faced by the serious social reality of being lack of any social class differences and class harmony, the confucians in the pre-Qin dynasty, as represented by Confucius, put forward that efforts should be made to retore these social norms and values. The essence of this proposal is that the function of ＇harmony＇ should by the protruding feature and art and literature and that poetry should play the role of ＇ instructing and educating＇ people, hence to construct a thought system that can help protect and normalize the nature, feature, value and function of art and literature. All these efforts proved to have played an important role in the construction of art and literature system, mechanism. However, its mechanical artistic and literary stands, to a certain extent, have affected the development of the self-reliance, freedom and independence of of art and literature.

关 键 词：礼乐制度 正名 中和 诗教 文艺制度 

分 类 号：I206.2[文学—中国文学]