论化境  

Informal Discussion on Sublimity

作　　者：李丕显[1] 

机构地区：[1]徐州师范大学音乐学院,江苏徐州221116

出　　处：《徐州师范大学学报（哲学社会科学版）》2008年第1期18-22,共5页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)

摘　　要："化境"可以表现于各个领域、各项事业、各类活动中。化境典型地具象于艺术领域:对象的心灵化和心灵的对象化的谐调统一及其物质形态化。学术研究的化境关键在于化入化出、自我消化、化出自我;在认识把握所研究对象的三个层面:现象描述、知性分析和理性辩证,学术研讨的多种途径和方法如接着说、对着说、辩证的扬弃、综合性的创造、创造性的转换等,均可体现化入化出、自我消化、化出自我的化境。人生化境则是化艺术于人生,化人生为艺术。它们的共同的本质特征为合规律性与合目的性和谐浑化的超然之域和自由之境。Sublimity manifests in every territory, cause and activity. Sublimity is very typical in the art field, i.e. object＇s mind and mind＇s object are in perfect harmony and their physical form. Sublimity of academic consists in crucially devoting yourself into the subject, self - digestion and draw yourself standpoints. Sublimity embodies in three levels of discourse to recognize and grasp the research object （appearance description, perception analysis and rational investigation）, and in many channels and ways of academic discussion （i. e. following, opposing, dialectical sublate, synthetical creativity and creative transform）. Sublimity of life is in complete harmony of life and art. Their common features are, in a state of aloofness and freedom, in complete harmony of regularity and purpose

关 键 词：化境 合规律性 合目的性 超然之域 自由之境 

分 类 号：I01[文学—文学理论]