回归浑沌:“钗黛合一”的另一种可能——香菱形象的深层内涵兼论湘云  

Return to Hun-dun's State:the Other Possibility of Baochai and Daiyu's Syncretism——On the Deep Connotation of Xiangling and Discuss Xiangyun Simultaneously

作　　者：赵继承[1] 

机构地区：[1]渤海大学中文系

出　　处：《河南教育学院学报（哲学社会科学版）》2008年第1期38-43,共6页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)

摘　　要：香菱是《红楼梦》极尽笔墨刻画出的重要女性之一,但其在小说整体结构中的地位一直以来却未受到学界应有的重视。我们将从分析第五回金陵十二钗正册、副册、又副册反映的人物关系入手,以秦可卿为介入点,重新梳理香菱与钗黛的关系,并最终得出结论:香菱与秦可卿分别代表了"钗黛合一"的一个极点、一种可能。如果说秦可卿预示了"钗黛合一"的社会化归宿,香菱则将之导向自然化的极致,回归人的自然本性,借用道家的思想来说就是回归浑沌。香菱的不幸遭际凸现出曹雪芹对道家返璞归真理想的反思和否定。而湘云与香菱这两个同被称为"呆""憨"的人在精神上以及作者赋予她们的形象内涵上的关联及差异亦应引起我们的关注。Xiangling is one of important characters in A Dream of Red Mansions. But few of researchers have paid deserved attention to her. So it may be made up by this article. It has verified the value of Xiangling in the novel through analyzing the relations between her and Baochai and Daiyu, and led to the conclusion that Xiangling is the symbol of the idealism to recover the simple and come to the nature, although CAO Xueqin at last has negatived it by Xiangling＇ s misfortune. In the last section of the article, it discusses Xiangyun, who seem much similar to Xiangling.

关 键 词：红楼梦 香菱 钗黛合一 浑沌 湘云 

分 类 号：I207.411[文学—中国文学] G222[文化科学]