艺术的“画框”效应——界定艺术的一种尝试  

The Frame Effect of Arts——An Attempt to Defining Art

作　　者：张常勇[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《兰州学刊》2008年第2期163-164,150,共3页

摘　　要：界定艺术一直是艺术理论上的难题,面对实践与理论上更加严峻的挑战,一些理论家转而寻求通过艺术与非艺术之间的界线来界定艺术。在这界线中产生的"画框效应"源于艺术的本性,包涵艺术的两大功能性特征:距离与突显。将它作为界定艺术的一种标准,即通过艺术的功能来认定艺术,虽然存在一定困难,却不失为一种有益的尝试。It＇ s difficult to defining art in the theory of art at all times. In the face of serious challenge from the practice and theory, some theorist search for defining art by the borderline between arts and non - arts. The frame effect on the borderline comes from the nature of arts. It includes two functional characters： distance and unfoldmont. Defining art by the frame effect is equal to defining it by the function of arts. Although there are some difficulties in this way, it is an available attempt.

关 键 词：艺术定义 画框效应 距离 突显 

分 类 号：G12[文化科学]