论当代审美主义文艺思潮的历史文化语境  

On the Historical Culture Context of the Ideological Trend of Literature and Art of Modern Aestheticism

作　　者：弥沙[1] 李育红[2] 

机构地区：[1]东北农业大学人文学院,黑龙江哈尔滨150030 [2]渤海大学中文系,辽宁锦州121013

出　　处：《北方论丛》2008年第3期34-38,共5页The Northern Forum

摘　　要：审美主义是中国当代文艺的主潮,它以审美为文艺的最高价值和本质,确立了一种审美主义的文艺观。不仅如此,它还将审美主义从一种文学观念提升为一种世界观、价值观和人生观。它既是我国当代文艺潮流的一种转变,也是当代中国文化转型的一部分和重要表征。它带来的文艺转型和文化转型产生于特定的历史文化语境,一是粉碎"四人帮"之后对极左文艺思潮的反拨,一是改革开放后西方审美现代性的制导。这两种历史文化语境深深嵌入当代审美主义文艺思潮的机体,使它表现出巨大的历史合理性,但同时也存在较为严重的历史局限。Aestheticism is the main stream of Chinese modem literature ＆ art, and it takes aesthetic as highest value and substance of literature and art. Further more it improves the view of literature to world view, the view of value and philesophy. It was not only the change of Chinese modem trend of literature and art, but also the part and important signal of Chinese cultural transformation. It brings the transfermarion and the historical literary context： one is the criticism to extreme leftist literary and artistic ideas; two is referring to west aesthetic theory. The two historical cultural contexts inset the body of modern aestheticism deeply, and showed great historical rationality, but it has the serious limitation of history.

关 键 词：审美主义 文学工具论 文学审美论 现代性 审美现代性 

分 类 号：I206.7[文学—中国文学]