从缠足透析我国传统文化的思想要素  

Anatomizing the traditional ideology in Chinese culture from the phenomenon of women′s feet-binding with bandages

作　　者：梁惠娥[1] 翟晶晶[1] 崔荣荣[1] 

机构地区：[1]江南大学纺织服装学院,江苏无锡214122

出　　处：《纺织学报》2008年第5期107-109,共3页Journal of Textile Research

基　　金：江苏省社会科学基金资助项目(06JSBYS005);江苏省教育厅哲学社会科学基金资助项目(06SJD760008)

摘　　要：从我国封建社会妇女地位的变化与缠足的发展透析缠足这一社会行为,对我国传统文化的礼教思想以及哲学审美观等相关思想要素进行分析。认为我国女性地位的下降、封建社会男尊女卑思想等导致了缠足现象的出现,缠足是我国"性文化"的隐喻方式之一,它体现了我国古代"文质彬彬"的哲学审美思想,是在封建礼教制度影响下产生的一种畸形社会行为,成为当时社会评价女性审美形态的首要标准,成为女人甚至一个家族社会地位的象征。From the phenomenon of women′s feet-binding with bandages in feudal society in China,this article analyzes the traditional ideology and views on aesthetics.It asserts that the appearance of this phenomenon is due to the decline of woman′s social status and spreading of thoughts of″male superiority and female inferiority.″ It is one of metaphors of″Chinese sexy culture,″ expressing properly the ancient philosophy and aesthetics of″behaving gently and quietly,″ and it is an abnormal social behavior formed under the influence of the Chinese old ethical code in feudal society.It′s an important criterion for a beauty′s judgments and a symbol of a woman′s social status,or even of a family′s social status.

关 键 词：缠足 思想 礼教 审美 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]