德彪西钢琴练习曲“为复合琶音而作”的演奏手法  

The Performance Techniques of Debussy's Etude for Arpeggio

作　　者：杨凌云[1] 

机构地区：[1]华南师范大学音乐学院,广东广州510631

出　　处：《艺术探索》2008年第3期92-94,共3页Arts Exploration

摘　　要：德彪西创作的《12首钢琴练习曲》是带有印象主义音乐特点的优秀作品。其中的第十一首"为复合琶音而作"是德彪西为琶音在音乐上表现的可能性所创作的练习曲。德彪西在这首练习曲中,将具有印象主义特征的音响色彩与琶音技术巧妙地结合在一起,创作出了灵动而瞬息万变的音响世界。本文将从该曲的结构感、色彩感、织体在演奏中如何体现及如何运用踏板的角度来阐述该曲的演奏手法。Debussy composed ＂12 Piano Etudes＂ which had the impressionism music characteristic outstanding works. The 11th etude Etude for Arpeggio is Debussy＇s music for the performance on the possibility of the creation of the etude. Debussy Jn this etude, will have the impressionism characteristic of color and sound arpeggio clever combination of technolo- gy, to display a active and fast-changing world of sound. This article will analyze from the sense of song structure, the sense of color, how weave the body to manifest and how to elaborate this tune performance technique using the pedal in the performance.

关 键 词：练习曲 结构感 色彩感 踏板 

分 类 号：J624.1[艺术—音乐] J632.21