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作 者:单元[1]
出 处:《嘉兴学院学报》2008年第4期5-10,共6页Journal of Jiaxing University
基 金:2007年浙江省社科规划课题(07CGZW08YBG)
摘 要:陈学昭的散文在文体上的突出特点是女性行吟和女性独语,这是一种颇有现代意识的文体,是20世纪才在中国女性文学创作中产生的新型文体样式。她把游历、流浪、行吟、写作当作一种重要的生活方式,对千百年来男性独享的权利进行大胆的挑战,是五四以后新女性人格独立、言行自由的具体表现。她的散文始终有一个与社会对抗、与家庭疏离、与人群疏远隔膜的叛逆少女,独自体味和感受着在新旧交替时代,梦醒后无路可走的孤独、寂寞、悲凉与绝望,她不考虑有没有倾听者,也不渴望得到别人的回应与交流,她只是以散文来诉说宣泄,是面对个人内心世界的独语。The prominent features of Chen Xuezhao ' s proses are women ' s troubadour and sole reflection of soul in their style, which embodies fully the modern sense and is a new type for the creation of Chinese women literature in the 20th century. She considered journey, vagrancy, troubadour and writing as an important life style, and posed challenges bravely against the long time men - shared rights, being the specific manifestation for the new women ' s independent personality and freedom of words and actions after the May 4th. In her proses, always a rebellious girl could be seen as an important character, who is against the society and alien from the family and crowd and solely feels the dilemma of loneliness, grief and despair, without taking consideration of listeners, response and communication. She only poured out her innermost feelings through her proses and created the sole words toward the personal internal world.
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