朱立元实践存在论美学思想解读  

A study of theory about Zhu Li-yuan′s practical existential aesthetics

作　　者：罗曼[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《内蒙古大学学报（哲学社会科学版）》2008年第4期75-79,共5页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：国家"十一五"社会科学基金项目(项目批准号:07BZW006)

摘　　要：面对"实践美学终结论"的冲击,朱立元主张从实践存在论出发建构美学理论,初步形成了"实践存在论美学"思想。"实践存在论美学"从实践的概念入手,认为实践原本是作为人的存在方式来理解的人生实践,应从存在论角度理解和阐释实践。由此,实践美学应以实践论与存在论的结合作为哲学基础,走向"实践存在论美学"。"实践存在论美学"包括三大基本思想:美是生成的而不是现成的,审美活动是一种基本的人生实践,审美是一种高级的人生境界。Facing the challenge of ＂ending of Practical Aesthetics＂, Zhu Li - yuan forms his own theory of practical existential aesthetics gradually. The practical existential aesthetic starts from the concept of practice. This theory thinks that the practical category includes ＂being＂. Therefore, we should understand and explain practice from the angle of concept of ＂being＂. So, Zhu Li - yuan combines practice and being, and finally forms his theory of practical existential aesthetics. Zhu Li - yuan point out the three basic thoughts of the practical existential aesthetic ：＂ Beauty is not ready - made object but exists in aesthetic activity＂ ,＂ aesthetic activity is a basic practice of human beings＂ ,＂ beauty in a broad sense is a state of life＂.

关 键 词：朱立元 实践美学 实践论 存在论 实践存在论美学 

分 类 号：I01[文学—文学理论]