论中国妇女“缠足”的变态美  

The Morbid Beauty of Women Foot-Binding in Ancient China

作　　者：圣玉杰[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《安康学院学报》2008年第4期43-44,共2页Journal of Ankang University

摘　　要：古代妇女裹足是中华民族的一种变态扭曲的审美文化现象。男权社会统治下,为满足男性变态的审美心理需要,女性天足被裹起,并被视之为美,成为男性审美把玩的对象,并发展到一发不可收拾的审美变态极致。在这一发展过程中,男、女性的从众心理扮演着极为重要的角色,推动着这一审美态变的发展。在"缠足"审美态变中,更是蕴含着人们以"小"为美,对"小"的特有爱好的审美意识,并将这种意识投射到了对女性"小脚"的审美之中。Foot-binding undertaken by ancient Chinese women is a kind of twisted and morbid aesthetic phenomenon in Chinese culture. In order to satisfy men＇s needs of morbid aesthetic psychology, women＇s natural feet were bound, which was thought beautiful, and became men＇s aesthetic object. And under the rulership of man, it was more rampantly developed into extreme morbidity. However, both male and female conformity psyche play a vital role during the process and push forward the development of this aesthetic abnormality. This morbid appreciation of foot - binding connotes people＇s special aesthetic consciousness that ＂smallness＂ is taken as prettiness, which was further projected to the appreciation of female＇s ＂small feet＂ .

关 键 词：缠足 变态美 从众 

分 类 号：I01[文学—文学理论]