《到十九号房间》的意象研究  

Images in To Room Nineteen

作　　者：黎林[1] 

机构地区：[1]华侨大学外国语学院,福建泉州362021

出　　处：《天津外国语学院学报》2008年第5期58-64,共7页Journal Of Tianjin Foreign Studies University

基　　金：华侨大学侨办基金项目"当代英语文学中的空间.话语.权力"的阶段性成果(07QSK07)

摘　　要：英国小说家多丽丝.莱辛在20世纪50年代到70年代初期的创作是其女性意识和时代意识融合的结果。她的短篇小说中的精品《到十九号房间》为此提供了有力证据。借助话语理论、精神分析学说、互文性研究,通过对文本中几个重要意象的探讨可以看出,莱辛如何将女性视角和时代背景巧妙结合,聚焦一名退职在家的主妇的内心世界以展示父权制社会中家庭妇女的角色对仍未获得自由的女性在心理上、精神上可能带来的戕害和灾难性后果。小说体现出莱辛对二战后现代西方社会的时代风貌及其精神弊端的敏锐捕捉,是第二次女性主义运动高潮的先声之作。Doris Lessing＇ s works spanning from the 1950s to the beginning of the 1970s proceed from the blend of her female perspective and awareness of times, which is well demonstrated in To Room Nineteen. Resorting to the theories on discourse, psychoanalysis and intertextuality,this paper explores the images in the story to reveal how artfully Lessing interweaves her perception of the Zeitgeist into her female perspective by focusing on the inner world of a housewife to exhibit what destruction can be inflicted on a female still mentally or psychologically shackled by the patriarchal cultures. The story bears out Lessing＇ s keen observation on the flaws of the Zeitgeist since the Second World War and her foresight of the imminent cultural changes in the 1960s.

关 键 词：意象 女性主义 时代精神 精神分析 互文 

分 类 号：I561[文学—其他各国文学]