明词曲化现象述评  

A Summary and Evaluation of the Tuned Trend Phenomenon in Ci-poetry in Ming Dynasty

作　　者：洪静云[1] 

机构地区：[1]韩山师范学院潮州师范分院中文系,广东潮州521000

出　　处：《韩山师范学院学报》2008年第4期44-47,共4页Journal of Hanshan Normal University

摘　　要：从明初的高启,历经明中期的杨慎、吴门词派、王九思到明后期的王世贞、施绍莘、陈继儒、高濂、卓人月等的词作都存在着不同程度的曲化现象。明词的曲化,实是文体演进规律使之然,反映了词由乐而文、历俗而雅发展过程中的反拨,是词学发展中的一种回溯现象。明词的曲化,并非弊病,它正好是构成明词体式上的重要特征。This article takes a close look at A Full Collection of Ci-poetry in Ming Dynasty, which includes 19000 pieces from Gao Qi in the early Ming Dynasty, Yang Shen , Wu Men School of Ci-poetry, Wang Jiu-si in the middle of Ming Dynasty, to Wang Shi-zhen , Shi Shao-shen, Chen Ji-ru , Gao Lian , Zhuo Renyue in the late Ming Dynasty, and finds the tuned trend phenomenon in the Ci-poetry. This phenomenon is a result of the evolution of the literary form. It reflects a tracing back development of Ci-poetry from a kind of music to a form of literature, from being simple to complicated. The tuned trend is one of the important characteristics of Ci-poetry in Ming Dynasty in form, but not a shortcoming.

关 键 词：明词 曲化现象 文体演进 重要特征 

分 类 号：I207.23[文学—中国文学]