出土文献与《荀子·成相篇》  

Underground material and Tsunzi's Chengxiang

作　　者：陈良武[1] 

机构地区：[1]漳州师范学院中国语言文学系,福建漳州363000

出　　处：《长安大学学报（社会科学版）》2008年第3期116-121,共6页Journal of Chang'an University(Social Science Edition)

基　　金：教育部人文社会科学基金项目(05JA750-44031)

摘　　要：《荀子.成相篇》形式独特,但长期得不到文学史研究者的足够重视。《秦简.成相篇》的发现,吸引了众多学者对以《荀子.成相篇》为代表的"成相辞"的关注。通过二重证据法可以证实:"成相辞"这种艺术形式并非荀子首创,而在《荀子.成相篇》之前就已经广泛流传;民间歌谣与瞽史说唱的相互作用与融合促进了"成相辞"的最终定型。这种研究不仅有助于解决"成相辞"的性质、起源等诸多论而未决的问题,而且有助于重新确立荀子及"成相辞"在文学史上的地位,推动先秦诗歌研究的深入发展。Tsunzi＇s Chengxiang is a poem with special form, but it did not attract enough attention from the researchers for a long time. Qin-fian Chengxiang drawn on more and more scholar＇s concerns with this kind of literature style like Tsunzi＇s Chengxiang. It is confirmed that the style of art has already spread extensively before Tsunzi＇s Chengxiang, and the interaction and integration of the folk songs and Gushi＇s rap promoted the formation of Chengxiangci. This helps not only resolve the issues such as the origins and property of Chengxiangci, but also establish the status of Tsunzi and Chengxiangci in the Chinese literature history, which promotes the development of the Pre-qin＇s poetry research.

关 键 词：《秦简.成相篇》 《荀子·成相篇》 民间歌谣 瞽史说唱 

分 类 号：B222.6[哲学宗教—中国哲学] G256[文化科学—图书馆学]