长歌当哭之后——审美生存限度之考察  

On the limit of aesthetic life

作　　者：陈雪梅[1] 张琦璋[2] 

机构地区：[1]浙江大学人文学院,浙江杭州310028 [2]义乌工商学院现代文秘系,浙江义乌322000

出　　处：《中南大学学报（社会科学版）》2008年第5期719-722,共4页Journal of Central South University：Social Sciences

基　　金：浙江省教育厅2006年立项课题<日常生活审美化现象研究及其正负影响之考察>资助项目(20060572)

摘　　要：《红楼梦》第七十八回,贾宝玉祭奠晴雯,悲痛的审美体验之后,却是失重的情感分量。审美生存的内在悖论发人深省。这一生存模式在美学史和当代语境中高标独领,长久以来寄托着人们对理想化生存模式的期望。它的基本原则包括个体化、感性化和自由化。考察人们对审美生存的沉思录,我们发现其中不乏质疑和批判的视角。综合地来看,审美生存的局限性表现在:首先,它是一种虚无主义的解脱之道;其次,它伴随着感性的沉迷;最后,它指向对痛苦的疏离。In the 78th chapter of The Dream of Red Mansions, Jia Baoyu was grieved by the death of his pretty servant Qingwen. But his sorrow disappeared after the aesthetic memorial ceremony, which provokes our thinking. The aesthetic life has been regarded as the ideal life style. There are three basic principles of the aesthetic life： individulization, perceptualization and liberalization, for which we can infer the limit of this life style： Firstly it is based on nihilism; Secondly, it brings on perceptual enthrallment; Lastly, it leads to forgetting of distress.

关 键 词：审美生存 限度 审美泛化 虚无主义 

分 类 号：I01[文学—文学理论]