相诗学:中国诗歌批评的一种特殊形式  

Physiognomic Poetics:A Special Form of Chinese Poetic Criticism

作　　者：万伟成[1] 

机构地区：[1]佛山科学技术学院中文系,广东佛山528000

出　　处：《佛山科学技术学院学报（社会科学版）》2008年第5期18-22,共5页Journal of Foshan University(Social Science Edition)

基　　金：广东省哲学社会科学"十一五规划"2007年度学科共建项目(07GJ01)

摘　　要：相诗学是观人诗学的一个组成部分。从"相人之形状颜色"与"知其吉凶妖祥"两方面,对中国相学与诗学之间所生成的内在联系或一致性进行初步宏观考察中,不难看出相学丰富了诗学的范畴概念与审美思想,深化了诗歌理论,但神秘色彩与宿命论色彩是非常明显的。相诗学是命运相学以诗相人的发展产物,也是春秋赋诗言志、两汉谶纬解诗的发展产物。This article briefly discusses the interrelation between physiognomy and poetics from two aspects： appearance, complexion, and their omens. Physiognomy enriches the categorical connotations and aesthetical ideas of poetics, and thus, deepens the poetic theory. However, its mystery and fatalism seem obvious. Physiognomic poetics originates from the development of physiognomy and poetics, esp. the mystical words in the form of poems during the Spring and Autumn Period and Han Dynasty.

关 键 词：相学 诗学 观人学 诗谶 

分 类 号：I207.22[文学—中国文学]