文艺学知识空间的理论建构与范式转换  被引量:3

Theory Construction and Paradigm Shift of Knowledge Space in Literature and Art

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作  者:卢衍鹏[1] 

机构地区:[1]枣庄学院中文系,枣庄277160

出  处:《同济大学学报(社会科学版)》2008年第6期55-61,共7页Journal of Tongji University:Social Science Edition

基  金:国家社会科学基金西部项目(06XZW006)

摘  要:中国当代文艺学知识空间是一个围绕话语权的理论建构和批评实践场域。本质主义的知识空间表现为文艺学教材的"一体化"模式,导致了批评实践强烈的主流话语意识;反本质主义知识空间通过反经典颠覆传统知识空间,在日常生活审美化的视野下重构文艺学知识空间;建构主义反思与重绘文艺学知识"场域"、凸显"关系主义"的文艺学知识空间。文艺学知识空间的重构需要进行自身清理,凸显当代性和社会使命感,加强对自身建制、学科理念进行批判性反思,形成文艺学知识空间的多元化和谐关系。Contemporary Chinese Literature and Art is a knowledge space around the voice of criticism and building of theory and practice field. There are three different ways of thinking in building of knowledge space of literature and art, such as essentialism, anti-essentialism, constructionism, and so on. Performance of essentialism lies in the textbooks of literature and art, literary criticism. Anti- essentialism reflects through subversion of traditional classical knowledge. Reconstruction of literary knowledge shape "aesthetic of daily life. " Constructionism refreshes and constructs field of the knowledge space of literature and art. It highlights relationship of the knowledge space of literature and art. Multiple ways of thinking of the knowledge space of literature and art should be a harmonious relationship. It needs for self-liquidation and highlight the contemporary and social responsibility. It needs to strengthen the establishment of its own and disciplines critical reflection of the idea.

关 键 词:文艺学 知识空间 本质主义 反本质主义 建构主义 

分 类 号:I0[文学—文学理论]

 

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