作者死后的文本狂欢——从《恩主》和《死亡之匣》看桑塔格早期的小说作者观  

The Carnival of Texts after Death of the Author

作　　者：郝桂莲[1] 

机构地区：[1]四川大学外国语学院,四川成都610064

出　　处：《解放军外国语学院学报》2009年第1期99-103,共5页Journal of PLA University of Foreign Languages

摘　　要：法国批评家罗兰·巴特提出的"作者之死",是20世纪语言学转向的产物,针对的是19世纪以人为中心的理性中心主义。桑塔格虽然没有直接参与这场有关作者地位的讨论,但是从她20世纪60年代创作的两部小说《恩主》和《死亡之匣》中,我们可以从作者之死、叙述的不确定性和开放式结局3个方面了解到桑塔格早期的作者观。＂Death of the Author＂ advanced by Roland Barthes is an outcome of the linguistic turn in the 20th century. It aims to oppose the human-centered rationalism in the 19th century. Although Susan Sontag wasn＇t directly involved in the discussion about the role of the author, she echoed with Barthes in her two early novels in 1960＇s, The Benefactor and Death Kit. By analyzing these two novels through the concept of ＂death of the author＂, uncertain narration and open ending, we can get an understanding of Sontag＇s view on the role of the author.

关 键 词：苏珊·桑塔格 恩主 死亡之匣 文本狂欢 作者之死 

分 类 号：I712.074[文学—其他各国文学]