自我的悖论:论马克·斯特兰德诗歌中的双重意识  

Paradox of Ego——On the Dual Consciousness in Mark Strand's Poems

作　　者：马永波[1] 

机构地区：[1]南京理工大学人文与社会科学学院,江苏南京210094

出　　处：《南京理工大学学报（社会科学版）》2009年第1期31-36,共6页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：马克·斯特兰德善于把自我对象化,对自我及其所置身的世界进行有距离的观照,这种旁观者视角使得他的观察获得了某种"公正性"和"客观化",从而打破自我和私人化,成为事件和风景的编年史见证人。主体性不再是一个统一的、形而上学的"自我",而是陷入了悖论式循环的"递归的自我"。这种自我在场的取消,不但使主体性陷入了机械学的递归循环,也使语言陷入了类似的指涉循环。在这种状态中,自我和语言不再是指涉的和表现的,而是表演的和自我同一的。这种"最终的自我取消"绝不意味着对死亡的形而上诉求,而是重新寻回万物一体的本质同一性,以克服西方文明中主客观二元对立思维所造成的种种分裂与现代性危机。Mark Strand seems to be especially good at converting the ego to objects,observing at a distance the ego and the world where it exists,thus obtaining a certain justness and objectivity while adopting a visual angle of a looker-on.Consequently he can break away from the ego and personality and therefore become the eyewitness of chronicle of events and scenery.Meanwhile,the subject falls into a recursive ego in paradox cycle rather than remains an ego of consolidation and abstraction.Such cancellation of self presence results in mechanical recursive cycle and brings language into a similar cycle of reference as well.In this case,ego and language are no longer referential and expressive but performative and self-identical.The ultimate cancellation of ego by no means resorts to death abstractively but restores the unification of the essence of everything in order to overcome the split and modernistic crisis in western civilization caused by thinking subject and object dualistic antinomy

关 键 词：自我 悖论 后现代 新超现实 

分 类 号：I052[文学—文学理论]