说《水浒传》中的潘金莲——《说四个潘金莲》之一  

Talk about Pan Jinlian in the Novel The Outlaw of the Marsh——On One of The Four Pan Jinlian

作　　者：吴敢[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221006

出　　处：《昆明学院学报》2009年第1期43-45,共3页Journal of Kunming University

摘　　要：潘金莲是中国知名度最高的典型形象之一。但真要解读她,却发现《水浒传》里的潘金莲,《金瓶梅》里的潘金莲,民俗里的潘金莲,戏曲里的潘金莲,并不是一个潘金莲。《水浒传》中的潘金莲是一个为自己活着,被他人利用,以嫁人与偷情为其生命全部的悲惨女人;一个附衬武松主传,没被充分展开,留下若干思考,尚可二度创造的文学形象。因此,《水浒传》的潘金莲,只是勾奸夫害本夫一类丑恶社会现象的代表,还算不上不朽的艺术典型。Pan Jinlian is one of the most well-known typical images in Chinese Literature. But when reading about her, it＇s found that Pan in The Outlaw of the Marsh, in Jin Ping Mei, in folk custom, and in the drama is not the same. In The Outlaw of the Marsh, Pan is lived for her own. She is made used of others and is a miserable woman with getting married and carrying on a clandestine love affair as the whole meaning of her life. She only serves as a foil to Wu Song and without being fully described and left behind much to think about so she is the literature image that can be created further. To certain degree, Pan in The Outlaw of the Marsh is only the representative of the evil society to murder her own husband by colluding with the paramour, not to mention as an immortal artistic typical image.

关 键 词：潘金莲 水浒传 典型形象 二度创作 

分 类 号：I207.412[文学—中国文学]