实用主义美学的重新崛起  

Re-emergence of Pragmatic Aestheticism

作　　者：毛崇杰[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《艺术百家》2009年第1期131-137,共7页Hundred Schools In Arts

基　　金：中国社会科学院老年科研基金赞助项目成果

摘　　要：百年之后,在西方思想界一度被不屑于顾的实用主义竟然能够东山再起,不仅势头不减当年,且又是一番风景。这是为什么?这种新格局是怎样形成的,说明了什么?一向不被重视的实用主义究竟包含着什么样的生命力?本文从杜威、罗蒂与舒斯特曼三位代表人物在哲学、美学与文化政治学互动的视野,扫视实用主义的百年发展以及它在后现代主义中的定位,并进而通过它与马克思及孔夫子的对话,窥视我们时代的某些精神特点,从中找出带有历史走向性的东西。After 100 years, pragmatism once disdained by Western philosophers emerges again with a vengeance. Why？ How has this new pattern formed and what does it show.9 What vitality is contained in pragmatism which is often ignored.9 From the interactive vision of Dewey＇s philosophy, Rorty＇s aestheticism and Shusterman＇s cultural politics, the present article reviews the 100 - year - development of pragmatism and its identification in Post - modernism, then seek some spiritual characteristics of our time and find out something of historical tendency though dialogues with Marx and Confucius.

关 键 词：后现代 美学 伦理的审美生活 身体美学 文化政治学 真理与解放 

分 类 号：J01[艺术—艺术理论]