论道家、道教思想对中原汉画艺术的影响  

The Influence of Daoists and Daoist Doctrine on the Art of Paintings of the Han Dynasty in Central China

作　　者：司宁达[1] 

机构地区：[1]南阳师范学院文学院,河南南阳473000

出　　处：《洛阳理工学院学报（社会科学版）》2009年第1期26-28,共3页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：中原汉画是汉代艺术的代表,它的发展受到了道家、道教思想的深刻影响。这种影响主要表现在三个方面:一是使中原汉画艺术充满了浪漫主义精神,创造出了一个神仙鬼怪、历史上的帝王将相、孝子忠臣、现实中的歌舞娱乐等的幸福生活相统一的秩序井然的天、地、人、神和谐共处的虚幻的艺术世界;二是使中原汉画在内容上多反映道教题材或道教思想;三是使中原汉画呈现出飘逸的美学风格。The paintings of central China were the representatives of the Han-dynasty art whose development had been heavily influenced by Daoists and the Daoist doctrine. This kind of influence is given in three ways： First, it makes the paintings full of romantic spirits. An artistic imaginary world has been created in the paintings where the gods and demons, emperor and ministers of state, dutiful sons and loyal ministers and the singing and dancing entertainment in real life are nicely integrated ; and where there is a well-ordered harmony of nature, society, Gods and people. Second, the contents of most of Han paintings of central China are about Daoism or the Daoist doctrine. Third, the Han paintings of central China have an aesthetic style of elegancy.

关 键 词：道教 中原汉画 浪漫主义精神 题材 飘逸风格 

分 类 号：B223[哲学宗教—中国哲学] J323[艺术—美术]